Keep in mind that you don’t want to tip the balance of instruments too much to the right or left either. Pan everything around until you’ve found a good balance. If you have all sorts of different elements and instruments, you need to find a place for them in the stereo spectrum. For instance, panning out the drum-kit is an important way to expand and establish the stereo spectrum. You don’t want all of your tracks fighting for the center. Rebalancing is essential as you add compression, EQ, aux sends, and effects if you want to keep the balance you had before.Īll the processors add or subtract gain to your signals so you should take that into consideration as you’re adding your plug-ins to the mix.Īs long as you spend an extra 20 minutes on balancing at the start, you might save yourself some time down the line. Of course, balancing the faders isn’t a one-and-done thing you do at the start of the mix. Rebalancing is an Integral Part of Music Mixing Sure, you’ll obviously have to do some additional mixing, but if you get the balance right from the start, it makes the rest of your mix easier and more fun to do. Just moving the faders around should get you very close to a rough mix. That’s why I usually spend more time getting the exact levels of each track right before I even touch any processing. Pushing up the faders and getting a balanced mix is the first order of business after you’ve recorded and edited your tracks.ĮQ and Compression, although extremely important, don’t help at all if your balance is out of whack. You need to keep the elements in the mix at a steady and balanced level, without abnormal level changes popping out all over the place. A clear balance is almost half the work, especially if you’ve got great sounding tracks. You can’t have all your instruments at the same volume either.īalancing the volume of your tracks is the fundamental starting point for every mix. You can’t have your tracks all over the place. The five things below is the typical 20% that will get you close to a better mix.
I’m a big believer in the Pareto Principle, where 80% of the results come from 20% of the effort. Instead of bouncing from one music mixing idea to another, follow these tips here below, and you’ll be well on your way to that mix that’s in your head. Mixing is never “dangerous, ” but it’ll eat up your most precious resource, time. Going from one thing to another without a roadmap isn’t dangerous or anything like that. If you’ve been following my emails, lately you know how the structure goes and you know how I like simplifying things to make the mix go faster. I like structure when working, so it’s good for me to have a good workflow when mixing.
Then all of a sudden you don’t know where your mix is going. You might start out doing levels, then switch to panning and then think about some distortion tips you want to try. However, going from one track to another can quickly create a chaotic mixing situation. When you’re mixing music, it’s easy to get started if you have a set idea of what you’re trying to accomplish.
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